Feminist AO5 for Jane Eyre Flashcard Example #36731

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Inga-Stina Ewbank (AO3)
‘This is not a book about feminism…and yet the art of the Brontes was in the deepest sense feminist.’
Kate Millett (AO3)
Bronte pretends to compromise and appease convention by concluding her novels with marriages.
Patricia Spacks
Jane never loses ‘her sense of her own deep submissiveness and dependency.’
(arguable: at the end, Rochester is dependant on her service of him which she willingly gives and has the power to relinquish)
Richard Chase
Rochester’s blinding as a symbolic form of castration (which allows Jane to gain mastery over him).
Helen Moglen
Jane’s marriage to Rochester as a ‘naive resolution’ – an idealised but impossible dream of equality in marriage that did not exist in Bronte’s world, and one that was dependent on Rochester’s mutilation.
Helen Moglen on Rochester
‘It is not a lover he requires, but a mother who can offer him again the gift of life. And it is this function which Jane will gratefully assume.’
Elaine Showalter
Bronte divides the Victorian female psyche into its extreme components of mind and body, which she externalises as two characters, Helen Burns and Bertha Mason.
Elaine Showalter on Jane’s education
In the Red Room, Jane is symbolically punished for the crime of growing up and beginning to assume adult sexual desires. She is further subdued at Lowood, which ‘represents sexual diminishment and repression.’
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